Las Dos Fridas (The Two Fridas) – Frida Kahlo Painting

Magdalena Carmen Frida Kahlo Calderon, or Frida Kahlo, was a painter born in Mexico in 1907 and died in 1954. Her father was German and her mother was Mexican Indian. From her childhood, she was diagnosed with polio, a complaint that infects the spine, and the disease left her right leg distorted. At 18, returning from her artistry school, the bus she was riding in hit a tram and an be catch up withch bar pierced her abdomen/pelvis atomic number 18a. Her legs and vertebrae suffered serious damage. The accident was a turning point in her life. In her hospital bed, she installed a reverberate above her bed. She painted many works, around of which were self-portraits.In 1928, Frida met Diego Rivera, whom she married a form later. She could not have children with him because of the accident. Frida was a huge part of the surrealism movement, and a acceptable example of this would be her create, Las Dos Fridas (The Two Fridas). This work was painted in 1939, shortly after her divo rce from Diego Rivera. The painting depicts devil different personalities, or versions of her, sitting on a bench. The Frida on the left is clad in a Victorian era wedding dress (this depicts the Frida that Diego left), and the one on the right wears a Tehuana, which is the part of Frida that Diego loved and respected.The hearts of the two Fridas are exposed. The one on the lefts heart is broken, and the one on the rights heart is whole. The fact that she is holding her own draw could suggest that she wants us to see that she is her only companion. The composition of the foreground makes the two women the centre of attention, and the gloomy sky in the background could reflect privileged turmoil. Despite the deeper meaning of the portrait, both Fridas look equally as surefooted and officious.Movement in this portrait is very little, the only thing we can see that is actively moving is the cut artery from her heart which is squirting blood. This is the prototypical thing that cau ght my attention. I think, paired with the scissors in her hand, this could imply self-destruction but giving the circumstances one would be right to contain heartbreak. The actual make-up of the painting is very pristine, with her use of oil on canvas. The brush strokes are delicate, precise and give a realistic effect. at that places a lot of depth in the painting, like in the folds of her dresses and the use of shadow.Frida has shown light and dark tones clearly by making herself the lightest and about vibrant subject in the area, which in contrast, is very dark and close sinister. Despite the contrast, theres still a sort of sin all throughout the painting. The portrait gives an overall negative vibe it makes me tonicity sympathetic towards her. The use of line is very subtle and is immaculately blended. The most colourful thing in the foreground is the happy Frida on the right, who wears blue, orange, and atomic number 79 tones. There doesnt seem to be an obvious colour scheme.Frida in the white dress is very neutral it complies of subtle tones of olive and lilac, and overall the wedding dress is a blend of harmonious colours. The painting is, in my opinion, half cold tones and half warm tones. The representation of herself in the painting is realistic but her style of painting gives it an almost cartoon effect. I really adore this painting. I like it because its obviously something which holds overmuch deeper meaning. Its symbolic of heartbreak, despair and deceitfulness but, ultimately, is a representation of potency and sticking by your side when no one else will.